This single-spinner shoebox Ford seen in the car park of the Rosehill Racecourse during the afternoon of this year’s NSW Hot Rod Show attracted me immediately – 49-53 Fords always do, no matter how they are presented. They are the first car I ever saw that I wanted to own entirely upon their external looks. Many others have come along in the meantime, but I still love the shoebox…and a few of its overseas copies.
But this car and the afternoon I saw it have pointed out something I did not realise – the fact that satin or matt paint can be a difficult thing to photograph. Until now, I thought that this sort of finish made car shooting easier, but now I see that this is not the case.
This will not be accurate in scientific terms, but the satin auto finish is suspended somewhere between shiny and dull paint. Apparently there are 5 different grades between flat and glossy. How they do it is a mystery, but I’m betting on some form of particle or filler in the fluid that makes up the paint along with the pigment particle. The look is unmistakable when done well.
It also needs to be completely done – you’ll note the doors on this Ford seem to have a structure showing – that may be because it is not yet the final paint coat. More rubbing down, more coats.
The car itself is a work in progress, as evinced by the rear bumper and the multicoloured nature of the interior. It is perfectly in order for the builder to drive it to the show and park it out in the car park – we are grateful to him for doing so to show us how the car is progressing. New enthusiasts who only see finished show cars may be discouraged when they return home and see their base car nowhere near the show condition – it’s good for them to see how others are managing the tasks.
I am pleased to be able to record the neat and unobtrusive nature of the tail-light treatment. I’ve seen some surprising ideas bolted and leaded into custom cars in the past , and even if they are marvellous jobs of work, some of them have not been good looking. This use of the classic shoebox design is fine. Likewise the decision to clean up, but leave undisturbed, the classic front end. No drawer-pull grilles needed here.
The stop light? Well, that is a matter of taste – like the Tiki shift lever. Both are certainly period-correct, but…
Okay – back to the paint. As a photographer of car shows, I am equipped with a good mirror-less camera and large flash. I expose for the general scene and then throw fill light into grilles, interiors, or shaded portions as needed. The overhead lights and/or sky will always be a factor in any scheme, and the way the car reacts to them will make a great deal of difference to whether the lines of the car are well seen. Show shooting for the visitor during open hours is entirely different from work done after all the crowds have gone home. You don’t get to do lighting set-ups or multiple pops. It is all in one and frequently the window of opportunity is about 3 seconds! It’s like press shooting.
Note in the featured image how the sky light glares out the line of the fender and bonnet. On a gloss finish that would be a brighter specular highlight, but very much narrower. Surprisingly , it would be less obtrusive and one might almost PS it out. Not here – the specular highlight is a diffuse patch that you just have to put up with. And it seems in some cases to delineate the panel contour more than a gloss would do.
Looks like there might have to be a lot more experimentation with these finishes in the future – I like ’em but they are a menace.