The business of being a super-hero is a popular thing these days – from the mainstream Superman, Batman, and Spiderman to the more esoteric Tick, Dog Welder, or Squirrel Girl – everyone has a secret desire to don a suit and fight crime. Actually, some of the suits are a crime, but that is something I’ll leave to Edna Mode to sort out.
In my case I have to adapt my ambitions to my resources. I have not got big muscles or eyes that send out laser rays – not even the ability to cloud men’s minds with a hypnotic gesture. The best I can do is grin and bear it and get revenge later. ( Revengeman? The Nemesis? Schadenfreuder? All possibilities…) I need to reduce the idea of super to a manageable commodity.
I can write. That I’ll admit to. It was not always thus, and I daresay it will go again one day, but right now I can spit out copy like a teenager regurgitating pizza. I can fight crime and injustice by writing biting little articles and slipping them under the doors of the guilty. Or I can slip them onto WordPress and hope that the veiled references are going to work. I regret that no-one will let me near the keyboard controls of the scoreboard at the sports stadium…
Or I could promote myself as The Backstabber. I’ve been the head of the Backstabber’s Guild of Australia for decades and there is no-one more qualified than I to tell your friends exactly what I found out about you with one simple credit check. I wonder if I could have a super-hero costume with a cape?
No, Edna? Well, you’re the boss. Not too tight around the shorts, please – I have no ambitions.
CatskillMan? Only if I can work with a snare drummer at the supper show. Tish-boom…Try the veal.
I should not like to be an opening act for anyone – whether they were famous or obscure, whatever occurred after my turn on stage would be inevitably detract from my own performance.
The same with the first car to be seen in a hot rod show. It’s going to be rushed by no matter what. I saw this today and took deliberate care that I gave the first act full attention.
It was a depiction of the yellow ’32 Ford coupe that featured in the film ” American Graffiti ” so many years ago. I was taken with the film, puzzled by the title, and receptive to this coupe in the entry hall of the 2018 West Australian Hot Rod Show. Note, I know it has an official show name but it is just the WAHRS to me.
Yellow is always a good choice for a rod, as it attracts the eye. Also probably safer on the road for just that reason, though it also would attract the official eye in blue so you’d better have the official papers right to run it. The problem with the hall that the WAHRS is run in is the lighting – it can have a colour temperature that ranges from water pump to Alsatian dog without ever getting to any of the conventional measurements. In the past I have tried to predict it with finely tuned custom WB. These days I just accept my fate and leave the camera on Auto WB. Take it from me that it was yellow.
It was also well-built, with a fair adherence to the spirit, if not the letter of the original. I must re-view the movie to see how close they got. Suffice it to say that it was a very satisfying reminder of the times. I was particularly taken with the shake tray…having seen a fully loaded one rip the top chrome moulding off the front window of a Pontiac in a Canadian drive-in in 1962 myself, I appreciate the feature.
Also appreciated was the period approach to the interior and the engine fittings. I admire some alternative rod styles but always default to the classics.
And finally – two good pieces of showmanship: the display stand that let people know what the intent of the rodder was, and the free stack of printed posters that let them take home a souvenir. That’s what gets the punters’ eye.
If someone were to say the words ” Exotic Dancer ” to you, what would you think of?
Would you think of someone doing a dance that is well outside of your normal culture? Perhaps a Middle Eastern dancer in the Persian, Turkish, or Egyptian Styles? Perhaps a Bollywood dancer in a brilliant costume. Perhaps an African doing a tribal dance. Perhaps an Israeli whirling in a hora. A Hopi dancing to ensure a good corn harvest…
Or would you think of a stripper? Boom dooma doom dooma doom. Bah.
Some people say it is the dance that has become corrupted, but I think it is just the imprecision of the language. ” Exotic ” means ” foreign ” – but the strippers who dance in our local clubs are really mostly domestic. I grant that ” Normal Dancers ” winking on a neon sign over a sleazy nightclub would not quite have the same pull as ” Exotic Dancers ” but really, after the outer garments were shed, the end result would be pretty much the same. Whether they start out wearing tracky daks and woollen jumpers or small triangles of sequins is just a detail.
” Erotic Dancer ” might be a better choice, but from all reports, the dancers don’t feel all that hepped up on a cold night out on the runway. ” Erotic Customers ” might be more accurate, though again reports suggest that it would be better to substitute ” Erratic “…
I propose that we change all the advertising. Instead of ” Exotic Dancers ” or ” Erotic Dancers ” we headline the bill with ” Mystery Dancers “. No-one will know when they sit down at the ringside table whether they are going to get Gypsy Rose Lee in a bikini or Harvey Weinstein on a bender. The anticipation should be electric. And no-one would know what was going to happen till the first pasty landed in the audience.
I rarely ask people to pay attention to my underwear. They are rather private garments and normally there is room in them for one person only – me. Today is different. I think I could fit about four of you in here. The reason is I have tried to go a day too long – a waistband too far…and the elastic has given up the ghost. I have had a day of especial discomfort.
Those of you who have felt the elastic go at some stage of the game know exactly what I’m writing about. All of a sudden any movement whatsoever sends your nether garments heading for the nether regions and it doesn’t make any difference if you are on parade or lounging in your boudoir – nothing feels right. If you had obeyed your cautious instinct and discarded the pair of shorts or knickers this morning – and put on the fresh pair that was sitting there in the drawer – you could stride out with confidence and pride. As it is, most of your day will be split between grimacing and excusing yourself to go to the loo in an attempt to produce a workable wedgie.
As the day progresses the vicious garment gets worse and worse. You look at your ankles to see if it has reached there and is showing under the trousers. You are convinced that it is going to entangle your knees and throw you sideways into the path of oncoming traffic. And you are also convinced that everyone sees your plight and knows what is happening. The day gets longer and the hours drag more.
The only answer is retreat. Go home at the end of the day, if you can walk while clutching your knees together. Remove the offending article. Throw it in the bin. Put on your pyjamas and make a cup of tea and a soft-boiled egg. There is no more dignity in the world for you today, and you might as well retreat into the comforts of childhood.
Wait a minute. Could it be?
Is the elastic on the pyjama bottoms going too…?
Coventry, England…New York, USA…Perth, Australia. Well you don’t get ’em much further apart than that – and you don’t get a tale of resurrection in many other hobbies than that of vintage cars.
Oh, there are a lot of restoration services for antiques – businesses that rebuild cellos, escritoires, and clean oil paintings…but few actually go to the extent that car restorers do to get the objects of their affection back to new. The only other example I can think of is the aeroplane restorers and they have an even more difficult task as their end result needs to defy death and gravity as well as time.
Well, the best thing I can do for the Jaguar XK 120 Fixed Head coupe story is to show the sign that the owner placed in front of it. Judge for yourself the dedication of a Western Australian who not only repaired what was left over in California over two decades ago, but converted it expertly to right-hand drive. The only saving grace would have been the fact that there were many more of the XK120’s made as RHD originally that the parts would have been available…but I’ll bet they were pricey.
Beautiful lines, of course, but as they are so reminiscent of the luxury cars of the 1930’s you have to wonder if the designers’ minds had been set in this before the war and they could not retune themselves after. I think some of the construction methods were also in the same category but this might also have been to do with the British unions’ control of manufacturing and trades.
I was most impressed with the security taken to keep the wheel covers in place. Actually, I’d love to see wheel covers return to modern styles and don’t know why they have not. Perhaps the age of elegance has passed.
And French, to boot. How much more mysterious could you get?
The Amilcar seen here at Hyde Park this year is the closest thing I could find on the day to my all-time favourite motor car – the Samson of M. Hulot. It has a little more style that the Samson, and this could be a problem for me as I have no style whatsoever, but for a car as lovely as this I would be prepared to wash, shave, and dress.
It is hard for a person with a limited grasp of the French language to read literature of the period – the 1920’s – and understand all the nuances of the country. I depend upon English translations and these can sometimes be a view filtered through glass coloured by any number of biases. But one does not need to be a master of literature to appreciate an object of the period – whether it be art, furniture, architecture, or mechanics. Thus the Amilcar acts simultaneously as a vigorous stimulant and delightful object of art.
And it is an adventure. Who could set out for any destination in this little roadster without experiencing a thrill of discovery – of danger, of wind, and dust, and velocity. Rain, too, though there is some provision for protection on the port quarter of the boat tail. Neither the driver nor the passenger will be in comfort, but neither will they care – they are racing against the clock to Monte Carlo, or Rheims, or the local IGA. And the Polly Farmer Tunnel at 80 Kph must be as good as a ride at Disneyland!
I’m rarely jealous of others’ motor cars. The troubles and expenses that they are faced with are a barrier to me – but I would be prepared to face them if there were a little mechanical delight like this as the reward.
But one thing puzzles…the blue triangle. I cannot find any sensible reference to it in a Google search. Perhaps readers can enlighten me.
Addendum: The Leatherworking Reverand has supplied an answer – apparently the blue triangle is an indicator panel required under CAMS rules to indicate where the battery of the car is located – for vintage motor racing. Thank you, Reverand.
Some Sunday afternoons are dull times…particularly when the weather has closed in and there’s nothing new to see. You sort of languish. So you can understand why I was delighted with an invitation from one of Perth’s belly dance sorority to call at her studio and take some pictures of her class teachers – she said they were to be casual ones for studio records. No need for me to bring the entire lighting suite…
Well, you can’t be too casual. I worked out a good travelling two-light setup with the new camera and packed it into the car. I noted that there were a few cars out on the parking area at her place but whose they were didn’t register. I walked to the front door and rang the bell that didn’t seem to ring. Just as well someone was going by the hall at time and saw me waiting patiently on the doormat.
Well, I was ushered in gracefully by Belyssa and directed to go set my camera and lights down. She’s got a big, purpose-built, studio space in her home that has an exotic theme – it looked like there were plenty of spaces for a decent posed group once the others arrived. I asked, in a professional manner, how many were to be expected.
And that was the signal – Belyssa gave the high sign and they all flooded out of the kitchen. And I was gleefully informed that it wasn’t a professional call-out, but a party given in my honour. And that it was I that was to be photographed…
I take these things well – rarely falling to the floor unconscious. I also take well to a glass of red wine and a plate of snacks and the cheerful conversation of people who I had photographed in the dance business for many years. And there were a number of war stories about theatrical performances and costume embarrassments.
Then they dressed up, and dressed me up, and packed into the spare bedroom set and sat me up at the top of the bed and that’s the last thing I remember. I’m told I had a good time, and I’m prepared to believe it.
I shall never look at Sunday the same ever again.